The Phoenix Room consolidates its social gaze
The Phoenix Room of the Raval has presented the season 2025/2026 with a clear desire for continuity and growth. The program claims contemporary creation, memory, accessibility and training of new audiences. It includes nine stable seasonal shows and a network of cycles and projects that consolidate the Phoenix as an open, plural and socially committed space.
A programming that reflects the moment
Among the new prominent proposals this season are pieces such as They protect me the stars,,,,,, Genís Lamaone of the resident companies of 2025, or Ulysses Infernalfrom the company. The crápulawhich revisits the classic myth from a contemporary point of view. Also found are recognized names such as Josep Julienwho signs and runs Bonobo 2.0or Pau Vinyalsthat returns with The giant of the pine Within the cycle of historical memory.
‘The Giant of the Pi’ by Pau Vinyals
Social and gender issues will play a significant role with shows like Cocks, cocks, cocks, The night of 4 to 5 or [AGON]And They address topics such as dissident identities, mental health or male vulnerability. More than ten stage creators participate in the season as playwrights, directors or main performers.
Cycles that open windows and borders
The Cycles #TonTaeri, #Memory Historic and #Extraordinary are a large part of the activity. The first connects the phoenix with artists and companies from all over the state and Latin America, with nine proposals from Chile to Cantabria. The # -historical memory cycle continues to deepen the construction of collective and democratic identities, with pieces such as Miguel’s words or The first and the teachers of the Republic. And the #Extraordinary, which this year incorporates a collaboration with the Alòs Palacewhich exhibits the work of young artists in training and serves as a platform for emerging voices.
‘The first and the teachers of the Republic’
A room with social gaze and public vocation
The commitment to accessibility is one of the pillars of the season: functions adapted for people with visual disabilities will be maintained, thanks to the collaboration with specialized entities. Also reinforced by initiatives such as the Teenfridya project aimed at adolescents who have already added nine seasons and seeks to link their universes to the stage language. In addition, the Fènix will continue to support emerging professional companies through its artistic residence program, which includes real resources, support and spaces of visibility.
All the information and programming of the Fènix Room, by clicking here.
