Let’s visit the Exhibition Like a Dance of Starlings. MACBA Collection: Thirty Years and Infinite Ways of Being | Activity

Claudia Segura, head of the MACBA Collection, she holds a BA from Pompeu Fabra University, Barcelona, ​​and an MA in Contemporary Art Theory from Goldsmiths University, London. She was director and chief curator of NC-arte in Bogotá, Colombia (2015-2019), where she curated several exhibitions and site-specific projects by different artists (Amalia Pica, Luis Camnitzer, Xavier Le Roy, Nicolás Paris, Nicolás Consuegra, Los Carpinteros, Alia Farid and others). She was coordinator of cultural initiatives at the “la Caixa” Foundation, Barcelona (2010-2012); an external curator of the Mardin Biennial, Turkey (2014-2015); and a mentor at the Sala d’Art Jove, Barcelona (2014), and at the Cano Laboratory at the Art Museum of the Universidad Nacional de Colombia (2018). In addition, she has been a visiting lecturer at the Universidad de los Andes, Bogotá (2017

Segura has curated and co-curated projects including To be known as Infinite: María José ArjonaBogotá Museum of Modern Art (MAMBO), Bogotá (2018); Here the border is youLA projects, Los Angeles (2017); Nomadic LimitsBiennial of the Borders of Mexico (2015); Fifty (Pipilotti Wrist) from Han Nefkens H+F Collectioncollectorspace, Istanbul (2014); Copy/Paste. Recodifying the gestureInstituto Cervantes, London; Like Tears in RainPalace of the Arts, Porto, and Producing Urban OrderGoldsmiths University, London (2008).

She was the editorial coordinator of Florae 2015 magazine of Flora ars+natura, Bogotá, and writes regularly for various specialized arts platforms. Segura is part of various research platforms such as De Vuelta y Vuelta and Para abrir Boca.