[Del 14/01 al 10/03] Pati De Cine: Space to share, reflect and learn in groups about cinema
As part of the cycle BDC screen, Pati Limona launches the project Cinema yard.
Cinema yard is a new space to share, reflect and learn in groups about cinema.
Based on the projections offered by the cycle of Cinema Screen BDCdifferent experts will provide tools to analyze films and delve into various aspects of cinema: criticism, analysis of cinematographic language, script, photography, gender perspective,…
They will energize the professional sessions such as Núria Vidal, Mireia Iniesta, Pau Subirós, Carmen Silva, Daniel Henríquez,…
Cinema yard includes:
4 meetings with professionals to learn collectively the passion for cinema.
1 exit to another cinema space
Price: €27.88
The meetings will be tuesday (with the exception of one departure) from 6.30pm to 8.30pm:
27/1 Session on The 47 with Carmen Silva i Daniel Henriquez
10/2 Session on Atlantique with Núria Vidal
24/2 Session on Good teachers with Mariana Freijomil
10/3 Session on They in the city with Pau Subirós
Screenings associated with Pati de Cine (you can see them at Pati Llimona or any other civic center that participates in the Pantalla Barcelona cycle):
at 7 p.m. All screenings are free.
Carmen Silva
Art Director trained in Theater Design and specialized in Film and TV. In 2009 he published his book in Chile “Maquetas para cine, viejos recursos para nuevos lenguajes”. He has been a teacher in prominent institutions in both Chile and Argentina. She participated as a researcher and co-director in the documentary feature film “Shadows of Luz” and was part of the La Olla Producciones work cooperative, in Buenos Aires, researching and producing content for educational film and TV projects. He currently co-directs the creation documentary “La Maleta de Francisca” and teaches the workshops “Behind the scenes” and “Images in construction” in the Pati Llimona.
Daniel Henriquez
Director, screenwriter and producer born in Chile, has been developing his work for more than twenty years between Madrid, Santiago, Buenos Aires and Barcelona, approaching, from the same search, his characters and stories in fiction and in documentary. At Pati Llimona he teaches the workshops “Behind the screen” and “Images in construction”. Currently, he is finalizing the documentary “La Maleta de Francisca” and in the middle of writing his next projects.
Nuria Vidal
Writer and film critic, she has collaborated in different media, in addition to working in positions of responsibility at international festivals at the Sant Sebastià Festival, Sitges Film Festival and the Berlinale. He has been an uninterrupted film critic since 1984. In 2010 he started a film blog where he writes regularly every week. She has been a professor of film criticism at ESCAC. She is the author of thirty books on cinema. In 2016, he received the Alfonso Sánchez Communication Award from the Spanish Film Academy. Throughout his career he has been a member of different juries at national and international festivals. He was part of the team of the program La Cartellera of BTV, he currently collaborates in La finestra indiscreta, of Catalunya Radio and in various publications.
Mariana Freijomil
Professor of the Communication Degree at the Open University of Catalonia. Doctorate in Communication and Master’s in Cinema and Contemporary Audiovisual by Pompeu University
factory She is part of the GAME research group and participates in the international project Leading Women in Portuguese and Spanish Cinema and Television, 1970-1980. He co-directs Cinergia magazine, founded in 2012, and has collaborated with La Furia Umana and in
several Shangrila collective books. He has directed the short films “Si tocas una…” (2022) and “Permiso” (2025).
Pau Subirós
Pau Subirós is director, screenwriter and producer. In 2005 he founded the production company El Kinògraf, whose productions have been premiered at festivals such as the Berlinale, Locarno, or the London Film Festival and have won a multitude of national and international prizes, including a nomination for the European Film Awards.
He is the author of “The accidental producer”, a narrative essay on film production published by Anagrama. He currently combines his film projects with teaching and script consulting.
