The International Queer/Leather. The VOID: HIV. Performance. Social Body (Day 2) | Activity
Day Two of this gathering curated by team re and Carlos Motta Reflecting on the hiv/aids crisis in the present. Through The Experiences and Aesthetic and Discursive Contributions of the Invited Participants, The Program Tackles HIV As a Link That Connects The Different Forms of Violence and Inequality Afflicting Society Today.
The wads in which heteronormtive and patriarchal colonialism continues to produce inequalities throbopolitics and extraction, unique impacting speecific bodies, is, at this moment, Heart-wrenchingly palpable in the War Against the Palestinian People. AS AFEEF Nessouli and Steven W. Thraser denouned in ‘Surviving War and HIV’ – A Widely circulated article in Januarry 2025 – The Precarious of Life in Gaza is compounded by the Lack of Retroviral Drugs. Opening The Second Day of the Program, Queers in Palestine Raises Its voice in the face of the vacuum of years and genocide, from perspective of dual oppression as Palestinian queer.
From the Museum’s Atrium, the discursive voids expressed in the program will resonate as a place of statement in the contribution of the temporary collective formed by Rome wall, Facunda Aisa, Luciana Peña, Pérez standard and Daniela NúñezWho Will established a dialogue with the Institutional Architecture Through Visceral and Performative Experiences. This Action is based on the experience of trans, Travesti, Non-Binary and Migrant Bodies Who Resist from the Margins of Gender, Race, Nation and Leguality. The Action Function As a Living Archive-At-Large: Non-Linear, Non-Preservable and Made of Fragments, Affects and Disobedience.
A NUMBER OF THE PROPOSALS IN THE PROGRAM Expore the body as an archive as well as an ephemeral and effective vehicle for the struggles and memories of the past. Such is the case of Habme, Cuerpo by Nazario Díazat Study Based on the Figure of the Cordoban Artist Pepe Espaliú (1955-1993) Which Unfolds in Series of Investigations Into The Body and Matter That Mutat and Disapears.
Wynnie Mynerva and Alexis Lima‘Swork Draws on First-Person Experiences of Violence Influenced on Them on the Basis of Race, Gender and Sexuality. Mynerva and Lima proposes to performance based on the recent experience of lis with hiv that places blog and its multiple moral and class connotations at the center. For inherited part, Purite Pelayoin Well-Kngon Ecuadorian trans activist, Will Create a Space to Express Courage, Sadness and Strength Linked to Past and Present Struggles from to testimonial Standpoint.
To Close, The Collective Don’t hit a la blackx Proposals The Performative Activation Luciérnagas and rusberriesan intertwining of poetry, Spoken Word and Live Sound That Disable The Space Through Words, Rhythm and Vibration. Their Bodies Will Be Cartography and Territory, resonating as part of an ecosystem that is built in comon. It is a sound invocation that activates memories and dissident presences in constant dialogue with the environment.
18:00 – 18:15 h
Introduction of the Program by The TEAM (Carlos Motta and Teamo Re)
18:15 – 18:45 h
Queers in Palestine
And Am The Body Between Rivers and Seas
18:50 – 19:20 h
Rome Murua, Facunda Aisa, Luciana Peña, Norma Pérez, Daniela Núñez
Cuerpo borders: Grietas in Archivo Vivo
19:30 – 8:20 pm
Nazario Díaz
Habme, Cuerpo
20:40 – 9:30 pm
Wynnie Mynerva and Alexis Lima
Sidario
21:40 – 10:10 pm
Purite Pelayo
Elegia to monster
22:15 – 10:45 pm
Don’t hit a la blackx
Luciérnagas and rusberries
From February 21 to october 26, 2025
Carlos Motta. Pleas of Resistance
