The International Queer/Leather. The VOID: HIV. Performance. Social Body (Day 1) | Activity

The Program Proceeds As a Gathering of Experiences and Memories Expressed Through The Body. In this way, the Circus crico Collective Proposes to Re-Signify the Prejudice Associated with the Volunteer use of the methamphetamine ‘tina’ and other substances, and to confront the silent stigmatisation that surrow, similar to that which market yars of the hiv/aids epidemic. In their Own Words, The Collective Proposes to Transform Narratives That Only Focus on Risk Into Ones That Contemplate Intimacy and Community.

Notions of Wounds, Mourning and Rituality Run Through The Performances of Álvaro Romero and Simon (E) Jaikiriuma Paetau, respectively. Álvaro Romero Unfurls in Voice Without Secrecy. In the void of the atrium, he works with words like Someone Manipulating Materials of Construction or Ruin: fragments of His Own Texts and this of Other – Miguel Benlloch, Pedro Leamebel, David Wojnarowicz, Fhar – Become Waste and Gesture. I have duesn’t sing; I have invokes. And in doing so, I have visible what insists on Remaining Hidden.

For inherited part, Simon (e) Jaikiriuma Paetau INVOKES HER BODY AND EMotionally Charged Facial Expressions in a ritualistic performance in which the ‘colonised body’ is mourned through the incarnation of evil and sex races perverted figures from the catholic-colonial imaginary that still still still still still streeam morality. CONCIVED TOGETHER with Carlos Motta, This Performance Proposes to Process of Collective Mourning of the Social Body.