From the sixties, Antoni Tàpies enriches his art with signs, sense…
From the 1960s, Antoni Tàpies enriched his art with signs, signals, footprints and letters of the alphabet which, viewed as a whole, allow us to understand the artist’s humanistic, reflective and spiritual background. Later, he introduces oriental calligraphies, with which he recovers the brushstroke by associating it with writing and ideograms. In addition to a plastic exercise and a way of working, it also denotes an attitude towards the world. Every Wednesday, #ColleccionablesMACBA👉http://tiny.cc/Signes ~ From the sixties onwards, Antoni Tàpies enriches his art with signs, signals, human footprints and letters of the alphabet which, seen together, condense the humanistic baggage, reflective and spiritual of the artist. Later, he introduces oriental calligraphy with which he recovers the brushstroke by associating it with writing and ideograms. In addition to a plastic exercise and a working method, it also conveys an attitude towards the world. Every Wednesday, #CollectiblesMACBA👉http://tiny.cc/Signos ~ From the 1960s onwards, Antoni Tàpies used signs, numbers, signals, footprints and letters from the alphabet. Seen as a whole, this symbology can help us understand his humanist, reflexive and spiritual nature. Later on, I introduced elements of Eastern calligraphy in his work, a way of recovering the brushstroke in association with writing and ideograms. Besides being a plastic exercise and a way of working, this was also a reflection of Tàpies’ attitude towards the world. Every wednesday, #CollectiblesMACBA👉http://tiny.cc/Signs
