Clàudia Cedó signs a comedy that speaks of love, exclusion and rejection
The Free Theater premieres Fintont€fall Ramon, A new comedy with touches fantyAstics written and directed by Clàudia Cedó and starring interpreters with and without functional diversity, who speaks of love, rejection, exclusion and paternalism. The montage can be seen from April 2 to May 4 in the Sala Fabià Puigserver de Montjuïc.
Fintont€fall Ramon It is the story of Santa Aurora de la Piedad, a seemingly normal town until a radically different child is born: in Ramona rag doll. The work explores the gaze of its inhabitants to this being, who, as it grows, ranges from love, rejection, paternalism and the expectations that are put on it: “ All that we ask non-normative people, represent the hero or the monster, asking them to help us better understand our lives, which are an example of self-improvement ”.
The cast is made up of Andrea Álvarez, Marc Buxaderas, Francesc Ferrer, Jordi Galià, Xicu Mason, Mercè Méndez, Anna Moliner, Edgar Murillo, Judit Pardàs, Vanessa Segura and Kathy Seyeleven performers with and without functional diversity that are put in the skin of the inhabitants of Santa Aurora de la Piedad.
Diversity on stage
Cedó has been working for almost twenty years on special scenarios, a theater project with people with functional diversity, mental disorders and special educational needs. “Writing for and with diversity actors is not a topic, it is my life,” he says. “I see them on the stage and my head and heart punch, they have another way to face the dramatic fact and this is deeply interested in me,” he adds.
The writing process of Fant€fall Ramon It has been nourished by the improvisations that Cedó has made with the special stage performers. “They say in the Ramon All the things that have been told in life, “says Cedó.” At the beginning of improvisations, the Ramon It was a jacket and we were telling him stories to not sleep, “recalls Buxaderas. He, with Álvarez, Mendez and Pardàs, already starred in Sugar mother, Released at the TNC in the season 20/21.
The production adapted from the montage is carried out by special scenarios and has required social educators, adapted council and sign language interpreters among other resources, as well as a process of creation and essay more dilated over time. “It is very important to put the resources: not because these people can do the same as an actor who does not go with a chair, but to find his own artistic excellence,” concludes the playwright and director.
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